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Ebook Everything Is Cinema: The Working Life of Jean-Luc Godard, by Richard Brody

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Everything Is Cinema: The Working Life of Jean-Luc Godard, by Richard Brody

Ebook Everything Is Cinema: The Working Life of Jean-Luc Godard, by Richard Brody

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From Publishers Weekly

Starred Review. Comprehensive and fascinating, this critical biography of one of the leading filmmakers of the French New Wave, Jean-Luc Godard, by New Yorker editor and film critic Brody offers the significant events and achievements of the cinematic innovator who combined an eye-opening concoction of art, politics, music, personal values and social mores. The author reveals an isolated yet driven creative genius who rises from writing articles for the pioneering Cahiers du Cinéma magazine with Truffaut, Rivette and Rohmer to soaring early successes with his films Breathless, Contempt, Masculine Feminine, A Married Woman to the later controversial gems, First Name: Carmen, Hail Mary and Detective. Godard, according to Brody, compares in critical importance to Picasso in his artistry, as the director's puzzling complexity is revealed through scores of interviews with family, colleagues and crew. Throughout the book, the key personal elements of Godard's chaotic love life provide added spark. This is a completely enjoyable and revealing account of an enigmatic director whose singular creativity will not allow him to make commercial compromises. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

"Richard Brody's biography of Godard—arguably the most important, enigmatic, and exciting filmmaker of the second half of the 20th century—effortlessly weaves intellectual history, a personal saga, and an authoritative reading of the films themselves into a seamless web. It virtually crackles with intelligence, and is a must read for anyone interested in cinema."—Peter Biskind, author of Gods and Monsters: Thirty Years of Writing on Film and Culture"Full of lucid analysis and human context, Richard Brody's book performs a heroic act in rescuing Godard and his growing shelf of works from the prison of myth and theory, from the cult of youth and the cult of the '60s, restoring him to his place as an engaged, hard-working artist."—Jonathan Lethem, author of The Fortress of Solitude"Godard changed the movies as much as the American masters he grew up on: Welles, Hawks, Hitchcock, and the rest. He is as original as Picasso—but unlike Picasso, he has been denied the biography he has always deserved. This is it. Just at the moment when the New Wave turns fifty, Richard Brody has given us Everything is Cinema, a remarkable book which describes with sharp intelligence a great and elusive artist's times, intellect, passions, and work."—Wes Anderson, writer and director of Rushmore, The Royal Tenenbaums, and The Life Aquatic"Everything Is Cinema is better than a biography, it is a novel. And a great novel, in which one discovers the story of a man who almost picked the wrong art form, a struggling writer who became an immense filmmaker."—Bernard-Henri Lévy, author of American Vertigo

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Product details

Hardcover: 720 pages

Publisher: Metropolitan Books; Revised edition (May 13, 2008)

Language: English

ISBN-10: 0805068864

ISBN-13: 978-0805068863

Product Dimensions:

6.8 x 1.7 x 9.2 inches

Shipping Weight: 2.4 pounds

Average Customer Review:

4.1 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#930,993 in Books (See Top 100 in Books)

Extremely insightful text, heavy with citations, interviews and whatnot. Mr Brody's tremendous work shines throughout its almost 700 pages. Highly recommended to whoever cares for cinema, particularly "art movies".

Great! Exhaustive portrait of the artist. Worth buying if just for the fist 200 pages where you get the feel for Jean-Luc's meteoric rise. Will return to it time to time.

One of the best books on Goddard that I've read!

I was glad to get a book about Godard's work and not a boring read about early family upbringing and struggles. This will appeal to aficionados of Jean-Luc's difficult cinema. It's like having a documentary about all of his films. Brody's writing is detailed and gets to the heart of the matter, just like his New Yorker pieces. I read it slowly to savor each chapter and movie. It's a must-read for filmmakers and students of the director.

The thing that struck me as I read this was that Brody seems more enamored of the idea of what he thinks Godard was doing as an artist than he is with the actual films he made - at least with the films he made during the first decade or so. Colin MacCabe's Godard: A Portrait of the Artist at Seventy seems more readable and more able to see the films as something other than opaque autobiography. Needless to say either book will tell you more than you ever wanted to know about Godard's personal life, although MacCabe, unlike Brody, shows some reticence in exploring his love life.

Dedicated, passionate, illuminating portrait of a body of work in motion.

Great product... great seller, hope to do nussines in the future... thanks :)

"(Richard Brody's) Everything is Cinema", famous French philosopher Bernard-Henri Lévy is quoted as commenting on the back cover, "is better than a biography, it is a novel". Fiction, in other words. I prefer to invoke the title of a Charles Mingus composition, viz "All the things you'd be by now if Sigmund Freud's wife were your mother": Over nearly 600 pages, page by page, precisely and adoringly, emerges the profile of a total neurotic, a mysogenist misanthrope, a miser.A bit of a private life component may be the spice of a biography, but if nothing else but his private (ie off-screen) life is advanced to determine and explain all of Godard's films and video activities, the reader tires rather quickly: In the end, Le mépris (1963) is an excellent and intelligent film because Alberto Moravia's underlying novel is great (sociological rather than psychological) analysis, and Godard a skilled and innovative metteur en scene.Some things are irrelevant, like his failed alliance with a relatively more mature Marina Vlady - Anne-Marie Miéville, the author rightly remarks, will be the first and only of Godard's women of equal caliber. And whether Godard held hands with Brigitte Bardot walking up the stairs of Curzio Malaparte's avant-gardist villa is about as irrelevant as his "accusation" of François Truffaut of having had a candid affair with Jacqueline Bisset during the turning of La nuit américaine (1973), and not showing it in that movie... ("how come only the director has no affair in that film?").Brody's method of endless narration makes it difficult for him, and subsequently the reader, to in any defined way assess the weight/quality of Godard's individual films. This is perhaps the main weakness of the book. Also, it contains a series of factual errors in the assessment of the bitter feud with Truffaut, which (as can be read up in the latter's many biographies) was basically instigated by Godard's vile and foul sneering. Truffaut was not the only one who got that treatment, but he is the one who most decidedly stood up against the intellectual smear campaign.Not an easy subject; a wealth of material, well written without any doubt, but still: not going anywhere in particular. fbus 37 - Everything Is Cinema: The Working Life of Jean-Luc Godard by Richard Brody - 26/6/2012

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